I went to hear the Mobile Symphony Saturday night. It was a peculiar concert, and I'm not sure I would have gone if I'd realized how peculiar it would be. But they've had a very difficult year-plus, of course, and I wanted to support them. And although it was not the most exciting program conceivable, it included Dvorak's Serenade for Strings in E, which I like (and which I wrote about here), and which I knew I would enjoy hearing live.
The peculiarity had to do with the fact that the concert was apparently planned before the pandemic restrictions had been mostly lifted. I think this picture, lifted from the orchestra's Facebook page, tells the story more effectively than I could.
When I walked in to take my seat in the otherwise empty center section of the balcony, and saw the sparsely populated stage, I just thought vaguely that most of the orchestra had not shown up yet. That would have been pretty strange, since it was only ten minutes or so before the concert was to start. Then it sank in on me that this it, this was all there was going to be. You might have to click on the picture to see that the musicians are masked. And "social distancing" was in force for the audience as well, though it didn't really matter because there were very few people in the audience. I'd guess a few hundred at most, scattered around a hall that seats almost 2,000.
As you can see, it's only the strings, and not quite all of them. Then I looked at the program and saw that it would only be a little under forty-five minutes long. Another thing that hadn't sunk in on me was that they are presenting it four times over the weekend, obviously in an effort to compensate for the extremely limited seating.
But I enjoyed it anyway. The concert began with this little piece, which I regard as a real find. As far as I recall I'd never heard anything by William Grant Still before. If I'd heard it without knowing who the composer was I'd have guessed Delius. The strings were joined for it by a piano and a single flute.
In addition to the Dvorak, there was a Mendelssohn sinfonia for strings, a light and pretty early work which was enjoyable enough but which I'm not likely to seek out again.
Do they starve the dogs and cats before filming them for pet food commercials? Or do they lace the food with essence of hamburger or something of that sort?
Addendum: I'm always telling people that when you're discussing this country you have to start with the understanding that we're crazy. (That's one thing I like about Kevin Williamson's writing in National Review--he emphasizes that, and never forgets it.) Often that becomes clearer with a little distance in time.
P.S. This post was prompted by watching my cats sniff and turn away from one kind of food after another.