Sunday Night Journal — August 26, 2012
Waiting for the Hurricane
This will be brief, as I've been busy most of the day making preparations for Tropical Storm Isaac, which is expected to be Hurricane Isaac by the time it makes landfall somewhere along the northern coast of the Gulf of Mexico. The tropics have been pretty quiet since Hurricane Katrina in 2005--it's hard to believe that's seven years ago now--and we had gotten complacent. Even if these storms end up being relatively mild, they still produce a lot of anxiety, and it's a lot of trouble to get ready for them. You need to move things like patio furniture inside, or tie them down, so they don't end up coming through your window. Lots of people board their windows, but we're going to skip that this time. I hope we don't regret it. We're pretty protected from the wind here, and I always figure the biggest risk is of a tree falling on the house. Hurricane Katrina did send water up to the house, but fortunately not further, so we didn't get flooded. It would have to be a pretty extreme storm for our house to flood or be damaged by a surge, and at this point Isaac isn't expected to be one of those.
Here are a few hurricane-related posts from that period in 2004-2005 when we had Ivan and Katrina and several smaller storms: Sunday Night Comes On a Tuesday Morning This Week, about waiting for Ivan. You Can't, In Fact, Always Get What You Want, written while waiting for Dennis, which preceded Katrina by six weeks or so. Then, a few weeks later, Not So Calm Before the Storm, written the night before Katrina. And Uneasy In the Aftermath, after Katrina.
I can't find it now, but I'm pretty sure I had a post at some point about how unprepared we were for one of the storms, and how bad it would have been if the storm had not turned out to be relatively mild, and how we had learned our lesson and would be prepared with food, water, flashlight batteries, etc. etc. for the next one. Well, that didn't last. But at least we no longer have the filing cabinets full of family records and important things like insurance policies in the part of the house that's on the side closer to the bay and four feet lower than the rest.
Truffaut: Day for Night
I watched this last weekend. I don't really know much of Truffaut's work. Jules and Jim was a staple of art film screenings in the 1960s, and I think I may have seen it twice. I liked it. I think I may have seen The 400 Blows back then as well, but can't remember for sure, so obviously it didn't make a lasting impression on me if I did. And I saw Stolen Kisses when it was in theaters in the late '60s--yes, there was a theater in Tuscaloosa, Alabama, that showed the occasional artsy or foreign film. I remember liking it a good deal, though I don't remember anything specific from it. I recorded it off Turner Classic Movies a few weeks ago and will be watching it sometime soon (if the house doesn't get destroyed by a hurricane).
Day for Night is apparently considered one of Truffaut's best. It's a movie-about-a-movie, or rather about making a movie, which didn't produce great expectations in me. I've seen 8 1/2 and another Fellini film about movie-making of which I can't remember the name right now. I was unenthusiastic about both. I suppose I'll have to watch 8 1/2 again sometime, since so many critics regard it as a masterpiece, but am in no hurry.
I like Day for Night considerably more than either. It's an engaging and charming work, though it doesn't touch great depths. There's a kind of sweetness about it, a gentle touch: you feel that the director likes his characters, and wants them to be happy. And though they pass through a number of tribulations in the process of making the movie, they come out reasonably well in the end.
Jacqueline Bisset plays Julie Miller, an American actress recruited for the title role of the film-within-the-film, Meet Pamela. Before she arrives, she's described as fragile, having recently suffered a breakdown of sorts. And "fragile" is just what she seems. I didn't know much about her; beyond recognizing her name I can't remember whether I'd seen her in anything else. I was impressed. Truffaut himself plays the much-harassed director.
I hate to sound like I'm damning with faint praise, because I really did enjoy it, perhaps the more because I wasn't necessarily expecting to. But although I can recommend it, I can't muster a really passionate recommendation. I suppose it takes something either very big and serious, or very funny, to get that kind of reaction from me.
One of the greatest moments of the London 2012 Olympic was when Nigerian rower Hamadou Djibo Issaka triumphantly crossed the finishing line. Even though he finished last, his was the triumph of the human spirit.
Posted by: Addison_Acton | 08/29/2012 at 07:12 AM
Posted by: Grumphy on the way to australia | 08/29/2012 at 07:45 AM
More or less my view as well, I'm sorry to say. Not about Mr. Issaka but about the Olympics in general.
Posted by: Mac | 08/29/2012 at 09:57 AM