As I expected, I liked it more this time. Such a simple story: a widower and his daughter, who's getting on into her twenties. He wants her to get married--or does he? She doesn't want to get married--or does she? The resolution of the situation is fairly straightforward, and deeply poignant.
Knowing that the film was released in 1949 made me wonder about the conditions under which it was made--I mean both the physical and psychological conditions, the war having ended only four years earlier and the country still under occupation. There is no direct reference to the war or the occupation, which seemed puzzling. According to Wikipedia, filmmakers--and everyone, I suppose--were subject to a certain amount of censorship by the Allies, which explains this curious absence. A few images like this one are implicit references to the occupation:
You'll notice that the sign is in English. A bit after this moment the two bicyclists pass a sign giving the load limit of the road, also in English.