"You should drive to where there more Bar".
I don't know how to tag this. Philosophy? Religion? What Is Actually Happening? Travel? Oh wait, there's a Food and Drink tag, which I have very rarely used.
"You should drive to where there more Bar".
I don't know how to tag this. Philosophy? Religion? What Is Actually Happening? Travel? Oh wait, there's a Food and Drink tag, which I have very rarely used.
Well. I don't really know what to make of this, and am not at all sure I should recommend it to others. But I think I will anyway. Because, whatever my reservations, I was thoroughly fascinated by it. One big warning, though: the story does not end, just as it did not end with series 1. There isn't even the sort of resolution with a few loose threads that satisfies the desire for an ending while pointing the way to a sequel. According to Wikipedia the third season is to be the last one, so I'm hoping that means the developers actually planned a coherent three-season plot which will have a reasonable ending.
The story only becomes more complex in series 2, and I have major doubts as to whether it makes sense. The pseudo-science makes even less sense than before: opening a barrel of nuclear waste might make those in the immediate vicinity pretty sick, but I really don't think there's any danger of it disrupting the very fabric of space-time. And the use of wormholes to serve as the equivalent of magic in sci-fi has gotten tiresome.
But the complex and confusing plot line is anchored by elemental human drama: parents, children, love, death, misunderstanding, mistakes, separation and reconciliation. Not really all that much of that last one, though, at this point.
The contradictions inherent in the whole idea of time travel are handled more imaginatively here than in time-travel stories I've encountered. However, that seems to be a confession of ignorance on my part: suspecting that something called "the bootstrap paradox" was not invented by the writers of this series, I searched for it, and found that it goes back at least to a 1941 short story by Robert A. Heinlein. The basic idea is presented in the show as this: you take an object back in time and leave it there. So it exists in the present because it existed in the past. But since it was only in the past because you took it there, it was never created. At any rate, the movements in time are so many and so complex in Dark that the result is either a brilliant juggling act or a big mess. Either way, it's awfully well done--well-acted, well-written, well-produced.
Actually I'm concerned that something that happened in the last minute or so of this season may seal the "big mess" verdict. I'll find out when I watch series 3.
(This post is mostly photos and may be slow to load. I hope it's worth it.)
I mentioned last week that I was traveling. Where I was traveling to was Belfast. Why I was there is a longish story. It was a family get-together, and I have this odd reticence about saying anything very specific on the public web about my children and their children, so never mind the details. Suffice to say that my wife and I were hosted by a native couple, were treated royally, and had a great time. The weather was beautiful, and apparently atypical: it was either sunny or partly cloudy, and I heard people use the term "heat wave," which meant temperatures that almost touched 80F. Really.
And I took some pictures. It's an idiosyncratic travelogue, featuring not necessarily what was best or most important, but what I happened to have the inclination and opportunity to take a snapshot of.
This is a view from the front porch (I think--and I doubt that's the right word) of Castle Ward. I'm not sure how far the domain extends--at minimum to the water's edge, behind and below the trees. I think that promontory in the left middle distance is also part of it.
We got there too late to tour the house itself. I would not have called it a castle, at least not the main house, which was built in the 18th century, and looks it. But the estate as a whole includes structures, too many and too large to be adequately described as outbuildings, which look medieval. Some of these are used as sets for Game of Thrones (which I have not seen). Surely the Clock Tower is one of them.
If you deduce that I did not take this picture, you're correct.
Walking down to the water from the house I saw this very impressive and perhaps just a bit creepy old tree. Does anybody know what kind it is? I don't recognize the leaves at all, and have never seen such a gnarled trunk. I think it was a good four feet in diameter.
White Park Bay is on the northern coast, maybe 40 miles or so north of Belfast. It's at the foot of a hill which I'm going to guess is 150 feet high. That is just a guess, though. This is a view from the top of the path leading down to the beach.
You can walk out on a sort of promontory comprised of these columns. (Actually I think the formation goes on for a mile or more along the shoreline--we only saw one part of it.) This is a view from the tip of that promontory looking back toward the mainland. There's something kind of intriguingly ominous about this image.
I suppose it happens at least once a week or so on a certain Belfast street that a car stops abruptly and a tourist jumps out to take a picture like this. I am leaving the finger in as indicative of the excitement of the moment.
For many years when I listened to Van Morrison's Astral Weeks I thought he was singing about "Cypress Avenue," and never noticed that the title of the song is actually "Cyprus Avenue." It was fairly recently that I discovered this ("fairly recently" for me meaning "in the last ten or fifteen years"), and I was disappointed. Cypress Avenue sounds like a beautiful place; Cyprus Avenue does not. But actually it looks like a lovely place.
And speaking of Van, I spotted this mural on the side of a building:
That's him in the upper left, of course. Below him is Garry Moore, who is not all that well known in the U.S. I'm guessing that the soccer ("football") player in the upper right is George Best, for whom the airport is named. I don't recognize anyone else, though no doubt I would recognize the name of the guitarist at the bottom.
One day we drove south from Belfast along Strangford Lough ("Loch"), crossed its southern end at Portaferry, and drove back up the northeastern coast. Those little coastal farms and towns are about as close to an idyllic and ideal landscape as I can imagine. Unfortunately I didn't take any good photos on that drive. What I found especially captivating (and my wife felt the same) was the way the farmlands run right down almost to the water's edge.
And yet: no place on earth is idyllic, really. The shadow of the Troubles still falls on Belfast and the little towns round about. One of the beautiful little towns we drove through on our northward outing was Ballymoney. Leafing through a newspaper on Sunday morning, I read a story about the current doings of a man who had been involved in the incendiary bombing of a home there which took the lives of three little boys. You don't have to look very hard for signs that tensions still simmer, in spite of the peace agreement of 1998. We left on the morning of July 12, not realizing when we planned the trip that "The Twelfth" is a very significant day and a frequent occasion of violence. That night there was some--burning of cars and the like--though happily it was relatively minor.
Being the alarmist and pessimist that I am, I couldn't help thinking about the relevance of Northern Ireland's conflict to the current one in the U.S. I hear more and more talk about the possibility of civil war here, of the culture war turning into actual war, or of an attempt to divide the country, which could certainly lead to violence. It's not serious, in that no one except for perhaps a very very few fanatics is really preparing for violence. And our antagonisms don't have the historical causes and intensity of Ireland's. But it would be foolish to deny that it's possible. After all, as some '60s radical said, violence is as American as apple pie. It's not as if we haven't already demonstrated that we're capable of civil war.
The possibility is sometimes dismissed because the opposing sides in our culture war are not clearly separable by geography, as in the War Between the States, or easily identifiable by ethnicity. But the Troubles demonstrate that those are not necessary. All you need is a pair of enemies and the belief on each side that the other is a serious threat to its welfare and perhaps to its existence. There are still "peace walls" separating Protestant and Catholic neighborhoods in parts of Belfast. (It's always seemed to me that it's misleading to think of this as a religious conflict: religion serves as a differentiating mark, certainly, but it's not about religion; they aren't fighting about doctrine.) We ought to be uneasy when we hear our fellow citizens declare that they don't want their political opponents as neighbors. We ought to be downright frightened at the level of political and cultural hate that is so frequently on display. If you think this kind of fury can go on indefinitely without expressing itself in deeds you don't know much about mankind.
Ok, enough of that. There is a place on the northern coast called Corrymeela which is an ecumenical Christian community devoted to peace and reconciliation. These peaceful waters are seen from there.
Here's a strange, amazing, and sad story of a Russian Old Believer family who fled from the Communists into not just any old wilderness but Siberia. And survived. Read about it at the Smithsonian's web site. I don't have a post category into which this fits very well. You can read about the Old Believers here.
I did not know there was such a word. It means "fear of bridges." Coincidentally, apropos the discussion of bridges in the comments on the preceding post, I was reading a story on some news site and noticed at the bottom of the page a link to The World's Scariest Bridges, and that's where I found the word. Let me tell you, there are some truly scary bridges in that list. I don't have any particular fear of bridges as such, but I have a serious fear of heights, and just looking at some of those pictures gave me that weird shaky sensation in my lower body and legs that heights give me. So you've been warned.
There is only one bridge in the list that I've been on: the Lake Ponchartrain Causeway. It doesn't bother me a bit. It's not that high, and you don't have the sense that you could drive off the side.
When you pick up a hitchhiker, there's a moment when he opens the door and you look at each other, and you're both wondering whether you've made a big mistake: Is this guy going to do me some kind of harm? I could see that question in the eyes of the fellow I picked up the week before Thanksgiving, and I expect he could see it in mine. And for my part I had the impulse to say "Sorry" and drive away, because he looked and smelled so bad. The smell hit me almost as soon as he opened the door. He had stiff gray hair that stuck wildly out from under a baseball-style cap that would have looked dirty even without the painted-on bird droppings and the words "Damn Seagulls." He wore a grungy three-quarter length olive drab coat. His teeth were yellow and wildly crooked. A set of headphones sat askew, still on his head but not on his ears--so that he could hear, I suppose. I guessed his age to be somewhere in the 50s; whatever the number of years, they had not been kind.
This was on Interstate 10 in northern Florida, somewhere not very far west of Tallahassee. I was returning from a work-related conference in Ocala, driving a rented Toyota minivan (because the smaller car I had asked for was not available). It was a seven-hour drive, but flying would have taken just as long and cost more. And anyway, I very much enjoy a long drive alone with plenty of music to listen to. I had no desire for company, and had only stopped for this man out of a sense of obligation.
I often pick up hitchhikers if I think I can take them some useful distance, which means that on my way to and from work I pass up the occasional one near the Interestate who looks as if (or announces with a sign that) he has a long way to go. On my way to Ocala two days earlier, I had passed one by, and felt guilty about it. I had stopped for food--again near Tallahassee, but east of it--and was getting back on I10 when I saw a man sitting on a suitcase at the entrance to the on-ramp. And I hadn't stopped, because I didn't want to be bothered. I had my Zaxby's chicken and french fries open on the console where I could reach them easily, and had just inserted a CD of Mozart piano sonatas. I felt pretty bad about not picking up the hitcher, and for a few minutes wrestled with the thought of going back for him, until I had gone far enough that I could reasonably tell myself that it was now impractical, as I needed to reach Ocala by 6 or so and a time zone change was against me.
The drive on I10 across the Florida panhandle is extremely boring. The highway is many miles inland from the coast, and the area is sparsely populated. Towns are few and far between. Most exits take you only to a cluster of gas stations and fast-food restaurants. The man I had just picked up had been trudging along beside the open road, several miles past the last exit and several miles away from the next one. The temperature was a little on the chilly side and the sky was a uniform grey. I was cruising along happily, experimenting with the great variety of music on the XM radio. But having passed up the previous hitcher, I knew I had no choice but to stop for this one.
He was one of those who appears to be going a long way, with a backpack and a sleeping bag. When I stopped he began hurrying to catch up with me, but he was moving prettly slowly, so I backed up. He was a little out of breath when he opened the door and pushed his headphones aside. After that initial appraising moment, he asked me how far I was going. "To Mobile," I said. He yelled "G*d*mn!", which startled me for an instant before I realized it was an elated and not an angry g*d*mn.
One reason I don't like doing this is the sheer tension of it. The odds are great that anyone you pick up is going to be perfectly harmless, but there's always the possibility that he won't be, so you're on edge, and in my case I generally stay on edge until I've taken the person as far as I'm going to take him. And even apart from that, there is for me the introvert's tension of having a stranger in the car.
Strictly speaking, I wasn't going to Mobile, but to Fairhope, which is on the east side of Mobile Bay, but I figured he probably wouldn't know where that was. I hoped maybe he wasn't going that far, but considering the load he was carrying I wasn't surprised to learn that he was heading for Breaux Bridge, Louisiana, another 250 miles or so beyond Mobile. I decided at that moment that I would in fact take him to Mobile, to get him past the long bridge and tunnel between the eastern and western shores of Mobile Bay.
We introduced ourselves. His name was Don, which happens to be my father's name (or nickname). He made me more nervous than usual because there was something about him that seemed...not crazy, but not entirely balanced, either. The tension was not eased when he pointed out the exit that led to a prison where he had spent several years. "I used to be a bad boy," he said with a chuckle. Nor was I pleased when he asked if I would stop at the next exit and let him get something to drink. I don't know why I agreed to that; mainly because I couldn't think fast enough to say no, and besides he didn't say he wanted alcohol, although I figured that was probably what he meant. But I did stop, and in fact gave him some money when he offered me a canned ham from his backpack in exchange for something to drink. While he was in the store I considered dumping his stuff in the parking lot and driving away without him. But I discarded that idea, made the sign of the cross, and muttered Lord, into thy hands.
"Something to drink" proved to be four 16-ounce cans of beer, and it was only when he returned to the car with it that he asked me if I minded.
"Not as long as you don't get drunk and crazy," I said.
"Naw, naw, I'm a good drunk."
And he was. I'll go ahead and tell you right now, so you won't think later that I misled you, that this story isn't leading up to some violent or terrifying crisis. But of course at this point I didn't know what to expect.
He was very talkative, and I got more nervous when he mentioned another prison stay, this one at a sort of low-security camp which he considered much superior in the way of food and general atmosphere. At some point in relation to this second sentence I asked him what he'd been in for. Either he didn't notice the question--which is possible, because he didn't stop talking very often--or he didn't want to answer it, and I didn't repeat it.
He talked and talked. He was not unintelligent, and he was interested in many things.
"Tell me something. What's your theory of how the Grand Canyon was created?"
I admitted that I hadn't formulated one of my own. But he had: he thought an earthquake had released vast quantities of water from beneath the surface of the earth, carving, or blasting out, the canyon in one sudden cataclysm. He explained the tides as being caused by the magnetism of the moon pulling on dissolved metals in the oceans.
He talked about why he needed to get to Breaux Bridge, Louisiana: for a court appearance, regarding a matter of battery on an officer of the law--"I might have nudged him a little when he was shoving me into the back of the car." He told me about his deceased wife, and his daughter of whom he thought the world, of various incidents on various jobs. I didn't know whether to believe it all, but it was certainly interesting. He discussed his sex life in extremely crude detail, which combined with the smell to make me feel that I might lose my own appetite in that regard.
The time passed fairly quickly. I suppose he rode with me for three hours altogether. By the time we were thirty or forty miles from Mobile Bay it had come out in conversation that I lived on the eastern shore and needed to return my rental car there. I told him I would take him on into Mobile and asked where he would like to get out.
"Aw, you don't have to do that."
"It's no problem. It's just another half hour or so over and back and I've got plenty of time."
"Well, I would sure appreciate it."
His talk at this point, three beers on, was getting even more lively and rambling. As we got onto the bay bridge, he started talking about the tunnel. The tunnel is on the west side of the bay. The bridge is six or seven miles long, and at the west end takes a sudden downturn into a tunnel which goes under the Mobile River. It is definitely not meant for pedestrians--there aren't supposed to be any pedestrians on the interstate. There is a bit of a walkway for emergencies, but it's very narrow, with only a rail to hold onto and nothing between you and the traffic--always including a good number 0f 18-wheelers--flying by at 60 or 70 miles per hour a few feet away. It would be terrifying to negotiate on foot.
"I hate that g*dd**n tunnel. F***ing hate it. There ain't nowhere to walk."
He got more and more agitated. I told him I had a friend who was the same way about bridges.
"I don't mind bridges. But a tunnel is just not natural. Down in a hole in the ground, with a f***ing river right over your head."
And finally, as we entered the tunnel, it seemed that he was genuinely terrified, as if it had been the mouth of hell. "See what I mean? See?!? Where can you walk?!?" And then just "G*dD**N" over and over. He was clutching the arm rest, and then he was clutching my arm, repeating "DAMN."
But then we were out, and he rejoiced. He began to laugh, and to thank me profusely.
"You've gone above and beyond, Mac. I really do appreciate it," he said several times. I asked again where he would like to get out. "It don't matter. Long as I'm through that damn tunnel, it don't matter."
So I stopped at the Texas Street exit. While he was gathering his things he kept talking, repeating his appreciation, and I kept telling him I just knew that if I was walking along that highway I would be glad to have a ride. He thanked me for letting him drink, "even though you're a religious man," which was odd because I'd said nothing about religion and there was no sign of it in the car--no Bible, no pamphlets, no books, no rosary.
We talked a bit more. I gave him what cash I had, which wasn't very much, and then remembered I had some beef jerky and some trail mix, and I gave him that, too. He was really happy to have the jerky. He had one beer left and he took that. He courteously crushed the empties and was going to take them with him but I told him not to worry about it, I would get rid of them. And we took our leave, shaking hands.
"I hope you get where you're going and don't have to stay there," I said: if the court appearance didn't go well he would end up in the Breaux Bridge jail.
"Amen," he said, "me, too." He squeezed my hand and looked me in the eye for a long time and said, "I know I'm going to be safe, because there must be a hundred people praying for me."
"Well, I'll make it a hundred and one."
He looked at me a little longer. "Let me show you something," he said, and started rummaging in his backpack. Well, here it is, I thought. Here comes the gun, and he's going to explain why he didn't rob and shoot me, or maybe even do it now.
"Where is it?...here..." He pulled out a battered paperback Bible. "This is my sword. I don't go nowhere without it."
We shook hands again, and I left him there near the off-ramp, driving off with a very mixed set of thoughts and feelings. My most immediate reaction was relief that my anxieties had been proven unnecessary. And you will have surmised that there was more than a little self-congratulation: how generous I had been; how kindly I had treated this near-derelict; how pleased God must be by my virtue, perhaps even more pleased than I.
But both these were crowded out pretty quickly by the knowledge that I could have done more. I could have offered to take him all the way to Breaux Bridge--it was Friday, and I didn't have to be at work the next day. I could have offered to put him up for the night and given him something better to eat than a packet of jerky and a handful of nuts and raisins. I could have made him a continuing part of my life, giving him a hand now and then, instead of being anxious to be rid of him. And if I could have done more, I should have.
Common sense argues: no, you did enough. You can't be expected to disrupt your life, or give away too much of your money. There are thousands of people like Don; what would happen if you tried to help them all as you think you should have helped him? Your own substance, spiritual and material, would soon be exhausted.
But someone else counters:
So likewise ye, when ye shall have done all those things which are commanded you, say, We are unprofitable servants: we have done that which was our duty to do.
(I don't in any way intend to say that one is always obligated to pick up a hitchhiker. In fact I would say that a woman alone is generally obligated not to. I speak only of my own conscience and of this one episode.)